Beginning with the first dramatic version of Frankenstein on the London stage in the 1820's until Hollywood began churning out Frankenstein monster films (42 titles at last count), the general spirit of Mary Shelley's original has significantly shifted. What was once a literary classic about parental abandonment of human creations, or about the character distortions that arise when we deny a relationship to the feminine "Other", soon became a narrowly focused presentation of a mad scientist and a grotesque monster. The different mediums of the stage and screen of course had its effect. Playwrights and movie directors, in the hope